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MARC Record
Bibliographic Data
Control Number
muse66971
Control Number Identifier
MdBmJHUP
Date and Time of Latest Transaction
20180207030003.0
General Information
180202s2018 miu o 00 0 eng d
International Standard Book Number
9780472123636
0472123637
9780472130740
0472130749
System Control Number
(OCoLC)1020606717
Cataloging Source
MdBmJHUP MdBmJHUP
Library of Congress Call Number
HM851 .H377 2018
Main Entry - Personal Name
Harding, James Martin
, 1958-, author.
Title Statement
Performance, Transparency, and the Cultures of Surveillance [electronic resource] / James M. Harding
Physical Description
1 online resource (1 PDF (ix, 311 pages))
General Note
Issued as part of book collections on Project MUSE
Formatted Contents Note
Introduction . All eyes to the street : surveillance, information technologies, and the space of Brecht's "street scene" -- God's eyes : chapter 1. Of sheep, shepherds, and oversight : defrocking the cultures of surveillance -- Private eyes : chapter 2. Surveillance operatives : activists, undercover agents, and the "new theater" -- Blind eyes : chapter 3. This private island : the modern ban-opticon from Camp X-Ray to private prisons -- Electronic eyes : chapter 4. Outperforming activism : surveillance technologies beyond the surveillance camera players -- Downcast eyes : chapter 5. Data doubles, Pepper's ghost, and zombie categories : the specters of performance in the bit parts of surveillance -- An eye for an eye : chapter 6. Envisioning performance postdemocracy : creative activism, (a little bit of) damage, and surveillance's inevitable products
Summary, Etc.
Placing the disciplines of performance studies and surveillance studies in a timely critical dialogue, Performance, Transparency, and the Cultures of Surveillance not only theorizes how surveillance performs but also how the technologies and corresponding cultures of surveillance alter the performance of everyday life. This exploration draws upon a rich array of examples from theatre, performance, and the arts, all of which provide vivid illustration of the book's central argument: that the rise of the surveillance society coincides with a profound collapse of democratic oversight and transparency--a collapse that, in turn, demands a radical rethinking of how performance practitioners conceptualize art and its political efficacy. The book thus makes the case that artists and critics must reexamine--indeed, must radically redefine--their notions of performance if they are to mount any meaningful counter to the increasingly invasive surveillance society
Subject Added Entry - Topical Term
Performing arts -- Political aspects
Performing arts -- Social aspects
Electronic surveillance -- Social aspects
Index Term - Genre/Form
Electronic books
Electronic books. -- local
Added Entry - Corporate Name
Project Muse,. distributor
Added Entry - Corporate Name
Project Muse
Physical Location
Digital Copy
Not Available
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